A representational method, often encountered in prehistoric and ancient art, presents a subject with some parts shown in profile and others frontally. This technique, also known as composite perspective or composite view, deviates from strict optical realism. An example is depicting an animal with its body in profile but with horns viewed from the front, maximizing their visible size and characteristic shape. This approach prioritizes conveying essential information about the subject rather than adhering to a single, unified viewpoint.
This artistic choice allows for a more complete description of the subject, emphasizing key features that might be obscured in a strict profile or frontal view. It is valuable in cultures where symbolic representation and conveying information were more important than achieving photographic accuracy. Its presence across diverse geographical locations and time periods suggests a widespread human tendency to prioritize conceptual understanding over optical fidelity in early artistic endeavors. This choice illustrates an understanding of form and a desire to communicate key attributes.